How did you decide which tracks received vocals and which ones contained just instrumentation?Meditation, chaos and the voice of our ancestors. Saxophone, bass-guitar, some of the beats, noise and some of the vocals were recorded during studio improvisation. So it does not differ from the music we produce. Music from the head and music for the feet. Music with very low frequencies. Music with very few signals and music with words. We are listening to music and non-music music with and without beats. Music done with musical instruments. Music done with operational instruments. What do you guys listen to on your own personal times, and does it differ from the music you produce? We play music instead of writing about it. In your best words, how would you describe the sound of SAYWEENJOY? Trust, character, experience, wide-spread ears, the ability to really listen to what the others do and to react to it. If it works, say we enjoy.Īre there any explainable factors that helped make everything just click?
There is no need to have it all done in one weekend. It's about knowledge. It's about physics. It's about acoustics. Spontaneous music in a carefully selected environment. You need a special set-up. You need time and space. Was this planned or did it organically come together? Your new album SAYWEENJOY was recorded over one weekend. Take a listen to their sound and dive into the minds behind The Nest. Fusing many eclectic genres, the four musicians came together to record the album in one weekend. In their sophomore effort since the release of Music For Drivers, the new sound of SAYWEENJOY is grown up and has evolved into a well-prepared music expression. True artists in their own right, Christoph Closer, Tycho Schottelius, Thomas Mahmoud and Gerald Mandl come together to form The Nest.
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